Dating lachenal concertinas

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It sounds remarkably like the unusual instrument described by J. His fourth child, Henry Thomas Crabb d. Some of those leather flap valves look a bit tired :- Lachenal, No.

This is simply because this is the best concertinas ever made. Almost any Anglo bearing the name Crabb or Jeffries will be worth a minimum of £4000, and the very print of them could fetch half as much again. Marie and Edwin married on 7 April 1868 in St. Just bought and play it with pleasure. Posted 15 May 2003 collected by Chris Algar Most of these pricelists were found in old concertina cases. It could even be a solo 1840s concertina. Pivots I suspect that the rivetted design dating lachenal concertinas significant for identification, but I don't know enough about it to make definitive statements.

Button Plate Everything is in good very clean condition but I had to replace one spring. I was very impressed. Introduction: Marie Lachenal 1848-1937 had three claims to fame and social prominence: one by birth, one by marriage, and one acquired as an accomplished performer of classical music on the English concertina. It seems reasonable to suppose, then, that it was probably in 1873 that Mrs.

Top 5: Best Concertinas Ever - A Quick Guide to Dateable Features of Lachenal Concertinas Feature Range of Dates Labelled C. On the right end, above, a complete section is missing and has been replace with plain veneer.

This instrument has mahogany ends which were the most common in 19th century concertinas. The fretwork is not ornamental; it provides the holes from which the sound from the reeds is carried out of the instrument. The inside is covered with thin cloth, to let sound out but- to keep insects, dirt, and worms out. Even a small thread or ash from a cigarette could clog a reed and stop a music session until the cover was taken off and the obstruction removed. In the British Isles worm infestation was a problem. Great Canadian Heritage Treasure Louis Lachenal, the father of concert virtuoso player Marie Lachenal above, originally worked for Wheatstone as a tool and die maker and manager, then, about 1850, decided to set up shop himself so starting a concertina production company which is as famous, among the concertina playing fraternity, as the Wheatstone, and its concertinas just as in demand. His line of concertinas was slightly lower end in construction. This is a 46 key Duet version of the English concertina for which you have to learn different fingering positions. The Duet was invented to try to simplify playing for some people. The high notes for the melody line were put on the right side, and played by the right hand, while the left hand would pound out the bass or complementary chords, on the opposite side, somewhat like in an accordion. This one features the Mccaan system of how the keys are positioned. This instrument is rarer to find than the standard English concertina. Lachenal Mccaan Duet Concertina - 1909 Orig. Now compare that to most marriages... While in tone it is not as rich and throaty as a Wheatstone - or make aficionados slaver - it was available, and allowed us to play English concertina for decades which would never have been possible otherwise. There are thousands of us who are grateful to Hohner for producing a rugged instrument at a far more affordable price than one would have had to pay for one of the classic models, new or old. Left the left hand position of the 48 key treble. This instrument, like other 48 key English concertinas is light weight compared to the Aeola, and so can be waved about spiritedly on thumbs and pinky without the slightest strain. Instead of fabric the insect guard is perforated foil. The bellows is six fold, which for some slow tunes, is a tad limiting, as one gets to the end of the bellows draw on an especially sappy song, and it starts to tighten up. Which is why many avoid the four and five bellows models. Great Canadian Heritage Treasure A fabulous concertina that, for some 34 years, has played at countless singsongs. You won't find this one listed as a favourite among the concertina aficionados but it holds a special place in our heart. And for a very good reason. When concertinas went out of favour, with the coming of accordions, television, record players, etc. Then the 1960s folk boom resurrected the concertina. But quality instruments were not to be had, especially in Canada. We toured London UK shops in 1972 desperately looking for any kind of Wheatstone or Lachenal; none were to be found at any price. To fill the growing demand Hohner stepped up to the plate with this fine 48 key treble which we purchased in 1973. Hohner C48 English Concertina - 1973 Orig. The black button is an air release, so that you can deflate the bellows without having to press a reeded key. Forcing the bellows closed when they are full of air could damage the interior flaps over the reeds, or even, in time, force a leak at a weakened place on a bellows fold. We would never consider selling it; it has too many good times with good people associated with it over many decades... But we finally have to give up playing it... The unthinkable happened, after some 37 years... We found an affordable Wheatstone Aeola built during Wheatstone's classic period... That's because it provided the back bone to dance music in shacks and community halls in pioneer Canada. Concertinas are harder to find. Probably because they are still in demand by devoted players. They are more portable and far more versatile than the fiddle: you can play in your car, on a streetcar. You can sing along, and your playing never drives people from a room or annoys the neighbours. Of the ten favourite folk instruments we play - badly - it remains the affectionate instrument of choice at the end of the day... What other instrument can alike, enervate the spirit, or soothe the beast, like the English concertina? As anyone who picks it up will discover... The concertina culture is alive and growing in Canada, thanks to three Great Canadian Concertinists: Robin Harrison Cambridge, ON promotes spreading the gospel by actively recruiting players to musical bi-weekly get-togethers: one in Cambridge, Ontario on Sunday afternoons, and one in downtown Toronto, Wednesday nights. Fiddles, button accordions, English border bagpipes, tin whistles are welcomed too. Paul Read Etobicoke, ON who promotes and participates in the happening in downtown Toronto, doubles as Canada's only professional concertina repairman. Frank Edgley Windsor, ON builds fine new concertinas for a growing number of players. The Concertina in Canada The English concertina is an English invention, patented in 1829 by Charles Wheatstone, an English inventor, who registered updated improvements in 1844. The instrument became wildly popular in early Victorian times 1837 -1860. That is also the period in which a huge influx of people from the British Isles came to Canada, including retired Army officers like the husbands of famous Canadian writers Susanna Moodie and her sister Catharine Parr Traill. Instruments of choice, in genteel families, were the various versions of pianos, but these were too bulky to bring to Canada. Which is why a flood of portable folk instruments were brought instead. The Scots brought the fiddle; the Irish the Anglo concertina; and the English the English concertina. Actually Inuit girls in Arctic Canada, in the middle of the 19th century, were among the first Canadians to be seduced by the dulcet tones of the concertina, as they were being serenaded by love-struck whalers marooned for months in arctic waters. As a result, the concertina was long the instrument of choice among the nomadic Inuit people. The women found the guitar and fiddle just too cumbersome to pack about on their backs... Though, as Inuit people settled down, these instruments became more popular; the gramophone brought in the Carter Family and Jimmie Rodgers, whose songs are still favourites among guitar players in the high arctic. No doubt many of these concertinas were brought over in immigrant trunks, played lovingly for decades, then with the change in fashions, put in the attic for decades, until auctions rooted them out into the light of day. Both the pre-Confederation Rock Chidley 1850 and the Lachenal 1909 came from Canadian estate sales. There are no famous Canadian historical concertina players we know of. The only Canadians noted for their talents, in a closely related pursuit, are Canadian soldiers in Afghanistan left noted for their skill in spreading concertina wire to keep them a safe distance from the locals they are apparently there to help... Rock Chidley's paper label, happily recessed from a 150 years of abuse, behind the fretwork. The address is Rock's home address, not the place where this concertina was made. Manufacturing data is extremely hard to find for these concertinas. It could even be a late 1840s concertina... The mahogany box was similar for all the manufacturers of concertinas. This Rock Chidley is a 32 button model and shows the hard wear of long and rigorous playing sessions early in its life. It would have been used at barn dances, log clearing parties, weddings and funerals, and was probably accompanied by fiddle and guitar, and perhaps a banjo on occasion. The ends are of mahogany. Like most concertinas it was designed as a hexagonal box with long flat sides to keep it from rolling off table tops when you set it down, especially when you're in a hurry. The Wheatstone Aeola is octagonal which gives it a more artful look with shorter flat edges. The top of the line Lachenal Edeophone had twelve sides making it very unstable because the sides were now extremely short. With the slightest knock it would roll down a hill and never stop... Great Canadian Heritage Treasure A fabulous and very rare concertina from Canada' s musical past. This Pre-Confederation Rock Chidley is one of the very oldest concertinas in Canada, bearing an extremely low serial number dating to say, 1850. Rock Chidley was a nephew of Sir Charles Wheatstone and was making concertinas for his uncle's firm at least by the 1840s. He set up shop for himself in 1850. Rock Chidley closed shop about 1867. This concertina has a paper bellows with only four folds, making it somewhat harder to play sappy love songs with. But then, what with the far from idyllic life of pioneering in early 19th century Canada, no one was much in the mood for love songs anyway. Very few pioneers would have had any sympathy for the teenage moanings of say, Leonard Cohen... So this instrument was used to play fast tunes, we believe, to help people keep warm in winter. If only it could talk... Rock Chidley English Concertina - c 1850 Orig. Pitcher, Eskimo Girl Clara Mikok - 1893 Orig. Frederick Cook took - along with a male child with their parents' permission - to promote his lecture tour in cities of the eastern seaboard of the United States in 1893-1894, to raise money for another expedition.